In her poetry Kasia Wojcik experiments with form, sound and meaning, traveling through landscapes and cartographies of the so-called soul and the societal and material collective. Dreetz Palermo is an anthology on the fringes of time and space, poetry to locate oneself, to point to the in-between, to find what is no longer there, somewhere between the Mediterranean and the German province of Brandenburg, the author collects fragmented pieces of herself and memory.
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In her sound installations Werde Wasser and Exposure Kasia explores the experience of performing her written words, making them graspable in a new way for her audience. Experimenting with intermedia approaches (for example film), she understand the poetic form as a way to reflect our perception of the world and our existence.